如果你正在犹豫要不要看，我可以告诉你：这是一部真正把观众拽进战场的冒险片，弗莱德金用极简的镜头语言构建了令人窒息的幽闭感，成吨的沙子、逼仄的管道和近乎真实的爆炸声扑面而来，完全不用依赖特效，全靠真实戏感制造惊悚。导演弗莱德金擅长制造即时的紧张感，配合街头实拍的粗粝质感，让观影体验非常直接。 :D。剧情围绕一名单纯的极地科考摄影师展开，他却被迫卷入一场精心设计的绑架，当金钱与人性在北极的严寒中激烈碰撞时，你能清晰地感受到角色从恐惧到绝望的心理转变。谢德把一个被通缉的普通家伙演绎得挺真实，特别是最后逃出公寓那段，那场风暴变成了绝佳的天然场景，让人瞬间屏住呼吸。导演弗莱德金用干练的镜头语言，把“盗车大盗”般的手足相残拍得像高压锅里的钢丝绳，紧张感不仅来自追车和打斗，更来自德籍逃犯谢德带来的那种随时可能崩溃的疯狂劲儿。

　　Four seedy criminal outcasts risk their lives in pursuit of redemption, both legal and moral, by driving unreliable trucks stocked with nitroglycerine through dangerous landscape to cap an oil well fire in a Central American banana republic. Featuring a trance-like score by Tangerine Dream and a visceral, astonishing performance by Roy Scheider, Friedkin's reinterpretation of Clouzot’s 1953 masterpiece is perhaps the best remake of all time and is among Friedkin’s most daring works. Three sequences alone –a chaotic car crash in Boston, the unloading of charred bodies in a Central American village, and the explosives laden trucks crossing a rickety storm-blown bridge – render Sorcerer a classic and retain their power to make audiences gasp. Released the same year as Star Wars, Friedkin's audacious masterpiece represents the braver road abandoned by the studio system.

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